Each year during our annual event, visitors have enjoyed the experience of taking a day drive in the country and experiencing the artwork and studio
space of our member artists. This year – COVID has changed everything. Rather than canceling the event entirely, we decided to continue the tradition, but allow flexibility for each artist to safely
accommodate visitors. Most can continue as usual with no restrictions, as long as visitors follow mask, social distancing and occupancy requirements. Others may exhibit outdoors, or only have visitation by
appointment. Please check below prior to visiting each studio to see what each artist's requirements are.
If you are not comfortable with an "open studio" environment and will not visit this year, please enjoy our Virtual Tour produced by John Femino, one of our members.
Interested in being a participating artist for 2021 Artist Open Studios?
This year, Artist Open Studios features six wonderful artists in the Northern RI area.
Each is looking forward to sharing their craft with you.
Our Featured Artists for 2020 are:
102 Pole Bridge Road
Cast and blown glass sculptures and wall pieces
Neal is drawn to the glass medium because the fluidity makes it an expressionist art form, transparency brings the colors to life,
and the contrasts between textures enhances the perception of rough and smooth surfaces. These are the qualities he feels within his being and the artistic process is the way to share his
appreciation of the human drama of this our short time on earth. Neal received his MFA from Rhode Island School of Design and a BFA from Massachusetts College of Art. His work is present
in numerous public and private collections and is shown in galleries worldwide.
21A Plainfield Pike
Fine art nature and abstract photography
Please contact by text or email to set up appointment
John Femino attended the undergraduate photography program at RISD, while he was an exchange student at Brown pursuing his medical degree.
Highly influenced by his mentor, world re-knowned photographer Harry Callahan, he continued working in fine art landscape and abstract photography, mastering the technical aspects of
black and white and color developing and printing. He works in multiple analog and digital formats, printing onto archival pigment based fine art papers and canvas and displays in wooden
frames made in his shop. His subject matter is local to RI, often involving images from the farm and of his horses and beaver dams. He produces a yearly calendar of photos documenting the
visual variety of Foster as well as printing mural sized panoramas. Currently, he is working on a series of local landscapes utilizing perspective distortion inherent in manually
processed multiple image panoramas.
John is a member of RI Center for Photographic Arts, and has had numerous group and individual shows, with a permanent collection at Meadows
Edge Recovery Center. His workspaces are in his historic restored barn and farmhouse, and include a framing workshop and photo studio overlooking his horse pastures.
380 Seven Mile Road
(Scituate), RI 02831
Functional, decorative, high fire porcelain
Open by appointment
Tom Grabbert is a ceramic artist who creates elegant porcelain tableware and decorative items in a studio overlooking beautiful
farmland in Hope, a village in Scituate, RI. He began working with clay at the age of 15. For the past 30 years, Tom has developed a unique palette of natural, rich-toned glazes that
complement the forms of his work -- a complete line of tableware, vases, and other vessels -- and suggest both movement and tranquility. Tom studied at Rhode Island School of Design.
Locally he exhibits at the popular RISD alumni sales, and his studio in Hope, RI.
26 Samuel Stone Road
Scituate, RI 02857
Impressionistic still-life paintings of observed nature objects
Valery Nardacci grew up in Scituate and continues to draw inspiration from her rural upbringing. After completing her Bachelors in
Art Education and beginning her teaching career, Valery studied the figure to earn her MFA at UMass Dartmouth. Along with oil painting, she explores gouache painting, gesture drawing, and
printmaking. Valery is currently focused on still-life paintings of natural objects, many of which are gathered from her own gardens. She approaches painting openly, with a goal of
capturing the essence of what is observed. Through this fluid process, the contrast and nuances of inventive color schemes emerge as Valery balances representation with abstract
88 Old Quarry Road
Paintings and figurative sculpture
Ann has been a professional artist for over 25 years. She graduated from the Rhode Island School of Design and has since had both
group and solo shows throughout New England. Her work is included in many private and corporate collections in the United States and Canada, and is also represented in the books,
"American Artists-An Illustrated Survey of Leading Contemporaries" and "Contemporary American Women Sculptors", as well as having been reviewed many times in The Providence Journal,
Artscope magazine, The New Paper, and U.R.I. Magazine. It was the subject of two feature articles in the Observer. Ann was commissioned by The Marriot Corporation to create a sculptural
frieze for Women and Infants Hospital and has worked restoring architectural sculpture for building facades and as an assistant exhibit designer at Roger Williams Park Zoo.
228 Ide Road
North Scituate, RI
Abstract acrylic and mixed media paintings and prints
Earle Thurber's paintings grow from a lifelong fascination with art, psychology, design, and in many ways are an integration of
all three areas of interest. Earle's technique is highly process oriented, a discovery process through which he is drawn by color associations, relationships of forms that evolve, and a
building sense of complexity of visual interaction. The work is constructed of layers of color and form, "free associations" that are subsequently refined through a more
conscious design process. His work is heavily influenced, and frequently totally driven, by music, from a wide range of interest, but especially jazz. Earle frequently thinks of the work
as the visual equivalent of jazz improvisation.